Having read and enjoyed Silent Water, I felt fortunate to obtain an advanced review copy of P.K. Adams' Midnight Fire, the second book in her Jagiellon mystery trilogy. Out next week, this is one novel you don't want to miss if you are a fan of cosy mysteries and long to time travel to the Polish Golden Age.
P.K. Adams is a talented writer who breathes atmosphere and colour to a period that few historical novelists have dared to tread. Employing artful descriptions and an engrossing prose, she effortlessly merges an absorbing plot with her cultural and historical knowledge of 16th century Poland. Once again the astute and introspective Caterina Konarska who almost lost her life in Silent Water, is thrown into the intrigues of the fascinating Jagiellonian court to become our key detective; a treat.
More king than her husband, it is Bona Sforza who in this year of 1545 remains the iron-fisted ruler of both Poland and Lithuania. Officially, her son, Zygmunt August, rules as second king and has setup his court in Vilnius, Lithuania. Many years have passed since Bona first arrived in Poland for her marriage, and now, much like Catherine de Medici — an Italian queen in a foreign land – Bona’s origins have begun to paint her in negative light. It is no secret that she is strongly opposed to her son’s desire to marry his scandalous Lithuanian lover, Barbara Radziwiłł, and there are those, like the estranged Zygmunt himself, who believe she is ruthless enough to kill to prevent this marriage. Much maligned, Bona’s political instinct is to see that her son marries a Habsburg, forging a powerful alliance with that empire. In a court where her supporters have dwindled to a few, who can she trust to impose her will and prevent Zygmunt from marrying Barbara?
Newly arrived in Kraków after a long journey from Bari in Italy, Caterina who remembers the prestigious and progressive Polish court, is seeking to consult one of Queen Bona’s physicians in the hope that he can cure her son, Giulio’s mysterious recurring fevers. Bona advises her to travel to the Vilnius court to see one of her Italian physicians. Much like the readers who have encountered Caterina’s sleuthing and her sharp mind in the first book, Bona recognises a capable woman in Caterina and doesn’t miss the opportunity to entrust her with a delicate mission of dissuasion targeting Zygmunt – the nature of which she hopes will save her son from a disastrous marriage.
History tells us that Caterina will not succeed. Today we can gaze at the delightful 19th century Jan Matejko painting depicting Zygmunt August as he cradles Barbara Radziwiłł in Vilnius, the two enraptured in a loving embrace. We know that the couple eventually wed, albeit in secret. Then again there is Józef Simmler’s haunting The Death of Barbara Radziwiłł that captures a heart-wrenching scene. Here, an ashen Barbara lies in bed, her lifeless arm dangling to the floor, while a powerless and broken-hearted Zygmunt looks on, knowing he has lost her forever. The painting is a stark reminder that only five months after her coronation, Barbara will find death at only 30 years of age.
Doomed, the lovers certainly were. While this book, with its string of ghastly murders linked to Barbara Radziwiłł, and its showcasing of Caterina’s solid detective work, remained a well-paced and engaging mystery, it was the impending tragedy looming over the young couple which captivated my attention - the unsaid narrative. All its elements are present as though fate conspired to tear the lovers apart: the rampant scorn and gossip of the court; the attack on Barbara’s life; and the forbidding attitude towards August and Barbara’s relationship from various political parties, not least from the Habsburgs and Queen Bona herself. As it turned out, when the undercurrents of politics could not part the lovers, it was a fateful illness which administered the last blow.
For cultural immersion, there is much to enjoy about this novel. I loved following Caterina into Vilnius, and delighted in her vivid observations of the court subjects – both their striking character and attire. During Caterina’s visit to a Turkish bath in Vilnius or when she enters the Radziwiłł palace, the evocative writing was highly effective for transporting the reader into the world of 16th century Lithuania.
P.K. Adams can also be praised for crafting mood, one that is pregnant with danger and gloom. The insidious shadow of death permeates, even beyond the murders that Caterina is called upon to solve in Vilnius. There is first, the memory of the young murderess, Helena Lipińska, who met an unjust fate in the first novel. While her tragic end plagues Caterina with guilt, it is Bona Sforza’s lady-in-waiting, Lucrezia, who seems more affected by it, and whose spiritual decay seems to progress throughout the story. Emerging through Caterina’s investigation, is the foreshadowing of Queen Bona’s future murder and her betrayal by a court subject twelve years later.
The novel seems to remind the reader of impending and inevitable death, whether spiritual or physical. In this, the author employs a haunting metaphor – Queen Bona had received five desert camels as a gift but kept them in a tight pen in a cold environment where such animals do not thrive. At the beginning of the novel, we learn that two of the camels have perished, leaving only three who appear desperately ill already. After seeing the animals, Caterina makes an allusion to Queen Bona’s unbending will and her denial of the forces of nature: “there is no cheating nature, no taming its laws. In the end, nature always prevails.” Proving her right, at the end of the novel, only two camels remain. Meanwhile Lucrezia is herself more sickly looking than ever, a hint that like the camels, it is only just a matter of time until her soul finally breaks. And last, Queen Bona, as history would have it, could not escape her own murder.
A highly recommended, satisfying mystery, Midnight Fire is out on 6 October 2020.
