Showing posts with label brisbane. Show all posts
Showing posts with label brisbane. Show all posts

Sunday, August 4, 2019

Immigrant Tales: From Prussia to Australia

The Charles Dickens

It is mid-July 1877. Henriette Krause is at least seven months pregnant when the Charles Dickens, the three-masted steamer that left Hamburg on April 5 arrives near Brisbane. The ship's 510 passengers have now been traveling for three and a half months. They should be rejoicing upon nearing Australia's shores were it not that many are ill, plagued by typhus and measles. The stench is unbearable.

Henriette is near tears. The stoic endurance that has carried her through the last months is almost exhausted. She longs for space and fresh air, away from the cramped conditions of the ship. She is tired of having to sleep in a 1,8m by 45 cm space alongside hundreds. Her husband, Gustav, is as ignorant as she is about why they cannot disembark. Surely they have not come all the way from their homeland in East Prussia to be barred from setting foot on Australian soil? 
What is taking so long?

Soon the rumours circulate. The captain addresses them. They will be sheltered on nearby Peel Island. The health officer has inspected the ship. He has ordered them to be quarantined.

It will be seven more weeks until Henriette disembarks in Brisbane. Finally. She is now almost due to give birth.  Her bones strain under the weight of her swollen belly. Everything is surreal, here, at the Ipswich Depot where her husband enlists for work. The last five and a half months suddenly overwhelm Henriette and she reaches for her belly, gripping onto Gustav. It all comes back to her. What they have just lived. The unrelenting nausea. The monotony mingled with anxiety. She recalls those long stormy days and nights when the ship moaned dreadfully, while her and her companions were cramped in the damp darkness below deck. Their unwashed clothing, long imbued with sweat, dirt and salt, clung to their bodies giving off an inescapable odor that she would always remember; an odor that invited vermin and illness.  Some of their clothes had to be burned at Peel Island because they posed a contamination risk.

But then, a ray of light, a dash of hope. Gustav is smiling at her.  She hasn't seen him smile for months. He tells her that he has found an employment already. How efficient it all is now that they are finally arrived, here, in Brisbane. He is to go west of Toowoomba with his family where he will work as a labourer. The pay is low but he will be given some land to start anew. Their own land.

Their own land. It is a dream.

Henriette is relieved. It is just as well, she sighs.
Only a week later, she will give birth to the child that has journeyed with her all the way from Hamburg to Australia. It is a healthy boy.

Why would anyone go through this? Why? 

It is the question I asked myself. I am both relieved and horrified at this amazing feat. The human capacity to endure astounds me.

Krause family tree

Henriette had several children. The Krause seemed to have kept in touch with the German and Polish immigrant community in Queensland. One of Henriette's sons, Hermann Edward Krause, married Maria Martha Tewes who was herself born of German immigrants.

In turn their son, Allan Krause - my husband's grandfather - would marry a Polish immigrant.  When he died at 65, Allan was a true Aussie. He had enlisted to fight for Australia in WWII and was made a prisoner of the Japanese toward the end of the war. He would be marked by that experience.

My husband's father, Peter Krause, is effectively a mix of German and Polish. Like his ancestors, he is not averse to hard labor, honoring land and its produce, much like generations before him have done. His Australian wife is a tough cookie with an amazing open spirit and an endless curiosity. As a child, daughter of a long-distance drover, she rode to school on her large horse every day. Decades later, she has since travelled to China.

In Tara, in the year my husband was born, the townsfolk are not afraid to confront the tyrannical cops. Even if that means a fighting match. On the night of 19 August 1969,  Peter's wife feels the first pangs of labour. But Peter is not home. He has gone off to fight a cop. They send for him urgently; they come running to the ring and tell him to bloody hurry and that his son is being born. He has to get a friend to replace him in the boxing ring. And that's the climate into which Shane Krause makes his first appearance, some time before midnight.

Peter doesn't know it yet, but that little boy who interrupted his fighting match will grow up to be a screenwriter. 

In the early years of our relationship, Shane Krause would tell me that his last name was Prussian. By Prussian, he meant 'from the German-Prussian Empire' because Krause is a German name after all and one needs to distinguish the German-ruled Prussian Empire from authentic Old Prussia.

Old Prussia and its tribal regions
The region of Pomesania (left) is where the Krause family lived.
At the time they emigrated, it was part of the German-Prussian Empire.
Today it lies in Poland.


The Old Prussians were an ancient Baltic people. Fierce pagan tribes, they were likely extinguished by the evangelising medieval Teutonic Knights and, in later centuries, their numbers would have waned under the wave of migration that swept from Germany into Old Prussian land.

So the last name, Krause, is German. Alas, my wild fantasy of Shane being a direct descendant of some ancient oceanside clan that worshipped pagan deities, and sang deep-throated spiritual melodies like the one in this video, had to be tossed aside.



But my imagination was running wild, fueled by medieval scenes of sword-wielding knights riding from the West into Old Prussia, intent on ridding the land of these detested pagans, with the blessing of the Polish neighbours.  I had a vision that perhaps Krause had been the last name of some Teutonic Knight.

Teutonic Knight
by Andre Mazzocchetti

Picture this. He was a brutal man with noble convictions and let nothing cross what he believed was an honorable crusade. He was there, for sure, when the Teutonic Order defeated the Old Prussian tribe of the Pomesanians, and  when the Monastic State constructed the fortified castle that gave birth to the city of Christburg.

Reconstituted Christburg castle, now in ruins

Oh, it was all so believable and delicious. After all, Gustav Krause who came to Australia in 1877 with his heavily pregnant wife was in fact born in Christburg, today's Dzierzgoń. Surely that was a sign that his family had always been there for centuries? Ever since the time of the knights...

I pleased myself in this titillating fantasy. The idea that my very own Shane Krause was directly related to a Teutonic Knight was a historical novelist's porn.

Chrisburg

Who knows the truth. What is certain, is that some German family, perhaps several families, with the last name, Krause, did migrate to the region at any time between the 13th to the 18th century. Over this period, Christburg would be part of Poland for an extended time, hence the Polish name, Dzierzgoń.

By the time Gustav Krause was born in 1847, as far as he knew, his city was part the Kingdom of Prussia.  In this context, Christburg was part of West Prussia. But by 1871, when the German emperor, Bismarck, ruled and the German Empire was formed with Prussia as its leading state, Christburg eventually became part of East Prussia.
[Note: This is the reason why I found genealogical sources contradictory - some sources assert he was from West Prussia while some say he was born in East Prussia. It's all a matter of politics.]

And that's where I dug a little deeper and found the reason why Henriette Krause put up with being pregnant for an excruciatingly long journey.

In his essay on The Prussian-Polish Situation: An Experiment in Assimilation, William I. Thomas delves into Bismarck's policies, and the relationship between the Prussian-Germans and the Prussian-Poles.

After many centuries of Germans living side by side with Poles, one would expect intermarriage. And that is observable in my husband's ancestors.  Gustav Krause is a fine example of this multi-cultural situation. While his father was a Krause, his own mother with a last name of Reikowski, was Polish. Gustav had also wed Henriette Pukallus, also Polish. It is arguable that while the family spoke German, they most likely spoke Polish and felt partly Polish.

Having established that the family was as Polish as it was German, it really helped to explain why they would wish to leave at this time.

According to Thomas,
"as long as the peasant felt that the [German] government was friendly to him, he paid little attention to agitators. But in 1873 he was attacked by the government. At this point, Bismarck took a hand and decided to force the process of Germanization. He said he was not afraid of the Polish man, but of the Polish woman. She produced so many children. He undertook the task with apparent confidence, but he was profoundly deceived in his judgment of the peasant. He said that the peasant who had shed his blood so generously for Germany was at heart a true German [alluding to the recent Franco-Polish war]. The fact is, the peasant had been gradually losing sight of the fact that he was a Pole and the policy of Bismarck restored to him that consciousness."

Otto von Bismarck

Despite being part of the most powerful empire in Europe, one that had demonstrated its superior military might by recently defeating the French, Gustav and Henriette Krause were not enthused about their new German ruler, and with reason.

During the process of Germanisation, the German language became a substitute of the Polish tongue in the schools. Teachers who had no knowledge of Polish were favoured for employment by the education system. According to Thomas, "at this point the peasant knew that the government was his enemy."

There would be other reforms too, like the systematic purchasing of Polish land by the German government with the intent of settling it with Germans. Construction was also prohibited without a permit, which effectively denied Poles the right to build on newly acquired land, nor build further on the land they already owned.

It is no coincidence that when in 1877, Gustav and Henriette boarded the Charles Dickens, Henriette's brother, his wife and children - all Prussian Poles - were also on board.

Henriette's niece, Ottilie Ward, née Pukallus.
Ottilie Pukallus came to Australia on the Charles Dickens. 
She was then 2 years old.

They were all Prussian Poles who faced oppression by the German government. As a mixed blood person, Gustav Krause had not one culture, but two. With his Polish background and through his Polish wife's eyes, he could see the Polish perspective and identify with it. He could see the writing on the wall. He would have been supportive of leaving.

As for Henriette, pregnant or not, she was getting on that ship. If Bismarck had said that the Polish woman produced too many children, then Prussia was no place for a Polish woman to be making babies.

It was just as well, for in 1907 the German government passed an expropriation act, allowing it to seize any land which the colonisation commission desired but could not purchase. If you were a Pole and refused to sell your land, you were in for a horrid time.

So there you have it. After much research, my Teutonic and pagan fantasies have now long vanished. In their stead, reality - the tyranny of an imperial government intent on Germanisation; the desperate plight of a German-Polish family dissatisfied with their poor treatment and dreaming of a better world. All these things brought me my husband.

After all that, Shane Krause has kept his German name and most people do not know how complex his family's story truly is. On the face of it, he is descended from a “German immigrant". And so in a sense, Bismarck has had his way.






Monday, April 3, 2017

Artists on the Couch: Brad Greenwood - Special Make-Up Effects Artist



From the orcs and elves in Lord of the Rings to fantastic sci-fi creatures, all the way to ghoulish figures in horror films, the world of cinema would not be as exciting and transporting without the magical work of special make-up effects artists.

I've had the pleasure and honor of interviewing one of the most talented SFX Make-up artists in the business.

On the couch today is Brisbane-born Brad Greenwood, currently based in Vietnam. I'm almost nervous - it's not every day one meets a creature creator. But Brad is extremely friendly and one would never guess he makes ghosts and other dark bloody things for a living.

If you've watched any Lord of the Rings films or the recent Kong: Skull Island, chances are, you've seen Brad's work in action. Brad's experience is awe-inspiring and includes an adventure series, horror, fantasy and period films both in Australia and internationally.





Brad has been kind enough to answer ten questions for us today. A rare treat.

Hope you enjoy this ride into the dark!

Brad Greenwood on the Artists Couch


1. When you first started in the film industry, what was your training and what became your first break?

My formal education in design was at the Queensland College of art. I majored in traditional Animation. My informal education has been working with so many amazing artists and filmmakers over the years… that’s only way to learn… from other people doing it better than you.

My very first gig in the film industry was working on a TV series called Time Trax based out of the Warner Roadshow studios on the Gold Coast.

2. You have worked on all Lord of the Rings films - what was that like, what did you most enjoy and what was the most challenging aspect about working on these films?

Yeah, so long ago now… I’m not sure I really understood what an amazing opportunity it was. Everyone that does their tour of duty at WETA workshop* comes out 100% better than when they went in. Richard Taylor and his crew are among the best in the world… so that rubs off on you.
I think the hardest part for everyone was trying to do such high-end work on a massive scale.

*I had to look this up: Weta Workshop is a special effects and prop company based in Miramar, New Zealand, producing effects for television and film.

3. Which special effects artist has inspired you or do you look up to from past/current films?

To be honest it was Rick Baker… every make-up effects person of my generation will tell you the same. I got to meet him once and see stuff from American Werewolf in London and Greystoke in the ‘flesh’… it was amazing.


The other was make-up genius Dick Smith… Fellow FX artist Kym Sainsbury and I did his correspondence course and went to visit him at his house in Sarasota, Florida. It was surreal drinking tea with him in his garage, while he showed us stuff from The Exorcist and talked about working with Lawrence Olivier, Brando, De Niro, Hoffman… all these great actors.
Dick has passed on now… so that was a special memory.
He was widely acknowledged as not only one of the greats, but for his kindness and generosity to other artists.


4. You are currently based in Vietnam - what prompted that move and tell us about your company.

It’s a long story… but the abridged version is… I came for a holiday in 2014… and stayed… I taught English, travelled around a little, did some writing… there’s an emerging arts scene here… and the film and entertainment business is developing quickly… I’d love to be part of that. It’s early days but I hope to do a lot more here.

Derek Nguyen's The Housemaid

5. Another fascinating aspect of your work is that you seem involved in multi-national productions like Derek Nguyen's The Housemaid, which is set in 1953 French Indochina. Tell us about this film and your involvement. 

I was lucky enough to meet producer Timothy Linh Bui… they’d already shot most of the film and wanted to do some pick-ups with additional effects.
Derek wrote the script based on his family history… It’s almost more of a dark romance. The period really gave the film a gothic quality that you don’t usually see in Asian horror.

It all came together really quickly and we ended up giving them five ghosts… Derek, Tim and the whole team at HK films were great to work with… I want to do more with them.

Brad's amazing work

6. How was it like working on the latest King Kong - Skull Island movie?


"We had lots of complex tribal make-ups to do. 
It went really well. I was super proud of the Vietnamese team." 
- Brad Greenwood on Skull Island

Another nice bit of serendipity… Jason Baird at JMB FX was doing all the prosthetics for Bill Corso on Kong. I’ve known Jason for many years and when the production moved to Vietnam for a couple of weeks, I helped him assemble the local team and then went on set to do make-up. We had lots of complex tribal make-ups to do. It went really well. I was super proud of the Vietnamese team.

7. A favourite monster/creature of yours...

Years ago we did a half scale T-rex puppet for The Lost World TV series… I still like it.


" It’s always difficult creating make-ups where 
the dramatic stakes require absolute realism…"


8. What is the most difficult effect you worked on and how long did it take?

I recently worked on another period film set in 19th century rural Vietnam. The director Ash Mayfair had written an incredible script that demanded a lot of realism. We designed a pregnant belly for one of the young actors and there was also a birthing scene. It’s always difficult creating make-ups where the dramatic stakes require absolute realism… if it seems fake it will take the audience out of the movie… I was terrified of having something that would compromise the performance. Fortunately it worked well.

9. Beyond special effects, you have other interests in writing and filmmaking. Tell us a bit more about that and what projects you are planning.

Mostly I write short stories. Fantastic books publishing in the UK have been great at including a couple in their anthologies. Speculative fiction is what I like most. I’m not prolific… so my goal is just to write more.

I have a Lovecraft style story set in South East Asia that I’m working on now.

10. Which directors would you love to work with in the future and what would be your ideal project to work on?

"To be honest I really just want to work with my friends in the business. "

David Cronenberg, Guillermo del Toro and Sofia Coppola are on my wish list! So many people I’d love to work with.

To be honest I really just want to work with my friends in the business. I did The Contents with writer/ director Shane Krause a while back. He’s someone I respect and we have a creative short hand, which always makes the process more enjoyable.

Brad's SFX at work...
Horrifying pieces from a horror film Brad worked on

There are a lot of directors I’ve been lucky enough to work with on smaller projects that I’d love to reconnect with on something bigger. Particularly the directors I’ve worked with in animation… all of them are amazing storytellers, and making the move into live action.

My favourite story of all time is Poe’s Masque of the Red Death. A re-telling of something like that would be great to work on.

***

Wow, thank you so much for your time Brad and for the fascinating glimpse into your art. I personally can't wait to see The Housemaid.

I want to take this opportunity to share more of Brad's amazing work. So here's a sneak peek:




It turns out the above effects took over 6 hours to apply on each model.
Anyone want to star in a horror film?
I suppose patience seems to be an important trait of SFX artists...



Right about now, I should mention that I'm a trypophobic. This stuff was made to haunt me!


Sunday, May 5, 2013

Buddha's Birthday Giveaway and Kindle Special


17 May 2013 is officially Buddha's birthday this year, and all over the world, people have joined into the celebrations.

Did you know that the city of Brisbane, in Australia is home to the largest annual Buddhist Birth Day Festival in the world? For three days and nights, Brisbane's South Bank Park lands light up with traditional red lanterns to celebrate the Buddha Birth Day Festival. Admission is free and there is much to keep everyone in the family interested with birthday ceremonies, cultural dances, music and feasting.

It turns out that humble Brisbane is also the birthplace of the historical novel, The Ming Storytellers. Set in China, the novel was extensively researched and written over a period of five years...all from Brisbane!

As part of the Buddha birthday month celebrations, a lucky person will have the chance to win a FREE Paperback copy of The Ming Storytellers.


To be in the random draw, all you need to do is leave a comment on this post or on the The Ming Storytellers Facebook page.

Don't enjoy reading Paperbacks? No stress!

Buddha's happy energy is fostering much generosity this month.

The Amazon Kindle version of The Ming Storytellers, originally priced at $5.99 USD is now priced at only 0.99 USD for a limited time only. This massive discount is also available on all Amazon KDP territories  where The Ming Storytellers is sold, including Germany, France, Spain, Brasil, Italy, Japan and India.


Much peace.



A tale of mystery and intrigue, The Ming Storytellers tells the fated story of Min Li, a willful imperial concubine and the illustrious Admiral Zheng He. The novel is set in China, during the Early Ming Dynasty a time of expansion and drama both at the Beijing court and at sea. Reviewers at Historical Novel Review have written an excellent review of the novel, here
Further information about The Ming Storytellers is available from the author interview at Unusual Historicals.

Monday, November 29, 2010

I Love Max


Max Brenner opened in Brisbane in October 2010. It's on Stanley Street, South Bank tucked on a side alley, a few steps across from Ginga Japanese restaurant.
You can't miss his sexy bald doodled head, and that chocolate-colored awning beckoning from afar.

Max Brenner is your non-schizoid Willy Wonka. Passionate nevertheless...

The sign inside reads, "I invite you to watch, smell, taste and feel my love story." Makes me want to throw a tantrum like Veruca Salt, stomp my feet and grab it all.


We Brisbanites have to queue for everything. We've queued for San Churro, we've queued for Max Brenner. And after the first Australian Zara fashion store opens in Sydney, mid next year, thirty-five years since the world's first Zara store opened in Spain, we Brisbanites will still be queuing for our own Zara.

The queue.
I told you there was a queue...


I waited a good twenty minutes in that queue while my boyfriend, Shane went hunting for a free table. Both the outside and inside tables were packed. We were lucky to find a seat inside, across a zany splash of colourful Max art.



Good things come to those who wait.

I had Max's signature chocolate souffle with sides of whipped cream and strawberries.
Shane had a sensible hot milk chocolate in a thick Max Brenner mug.
I knew he'd regret not having dessert! Soon enough we were both tucking into the melting white and dark chocolate center of my dense souffle.

I love Max.